Monthly Archives: January 2022

Episode 3: D. T. Kane’s Epic Fantasy Book Club, The Acktus Trials, Chapter 3

D. T. Kane reads chapter 3 of his epic fantasy fiction novel, The Acktus Trials, and discusses the chapter with his audience. http://dtkane.com
Purchase The Acktus Trials: https://dtkane.com/books/the-acktus-trials/
Map of Oration: https://dtkane.com/resources/map-of-oration/
Inspiration for the outside of the Conservatory, Bodleian Library, UK: https://www.thetimes.co.uk/imageserver/image/%2Fmethode%2Ftimes%2Fprodmigration%2Fweb%2Fbin%2F4154e115-713e-303a-a15f-2ad927668d62.jpg?crop=1500%2C1000%2C0%2C0
Inspiration for inside of the Conservatory, Biblioteca do Convento de Mafra, Mafra, Portugal: https://i.guim.co.uk/img/media/d1e315ebc0633e661ef2028dea1cd0507dd6c202/0_0_4134_3097/master/4134.jpg?width=1010&quality=85&auto=format&fit=max&s=73f43b9248c47182862f76b8fe1e1d1e

Below are my notes/script for the episode, not a verbatim transcription.

Welcome back! Hope you all enjoyed chapter 3. A quick personal update, then we’ll get into our discussion.

PERSONAL UPDATE

Declaimer’s Discovery, Part II of the Spoken Books Uprising, is still in the queue with my editor and I continue working away on my own edits to Declaimer’s Flight, Part III of the Spoken Books Uprising. We’ll be reading each of those together as well once we finish the Acktus Trials.

Also, as I said last episode, by the time you listen to this, The Acktus Trials will be available for purchase, but as I record this, I’m in the midst of getting everything ready for release. It’s exciting, but also a bit overwhelming–there’s always one more thing to do, one more error in the manuscript, or one more box to check. I’m also going wide with this book and the whole series, meaning it will be available pretty much everywhere you can buy books, not just Amazon, so a lot goes into getting it setup in at the various retailers.

I guess I’ll also spend just a minute discussing just why I decided to do this podcast. I want to be as open and honest as I reasonably can be with all of you, so obviously part of my motivation is to expand my reach so I can hopefully sell more of my books. And this, at least, is a way more fun way of marketing than running ads on Amazon and Facebook.

But selling books isn’t my only goal here. I’ve thought long and hard about my writing. For a long time I was in denial about even putting pen to paper, or fingers to keys. Writing was something normal people do. But I’ve realized that’s a bad way to think about it. There probably are some truly blessed writers out there, who just churn out amazing prose without a second thought. But most successful writers don’t ride their talent to success, but their tenacity. Writing a book takes a long time, and most people simply can’t grind it out for the long haul.

The fact is, I’d keep writing even if I never make a dime, because I have all these stories in my head and I want other people to hear them, even if they don’t have the money to buy my books. So that’s a big reason I’m doing this podcast. I want to share my stories, hopefully give a few people a good time with them, and maybe inspire a few of you along the way too. If it sells more books, great, but getting my stories out into the world and into your ears is great too, and I appreciate all of you for tuning in.

Alright, enough chit chat. Let’s get into chapter 3!

ANAYLIS CH. 3

Intro

So right off the bat, we’re explicitly told this is ten years later. As a rule, I don’t like giving such express cues–I’d rather work the timing into the text and trust my readers–that’s all of you listening–to be sharp enough to figure it out. But here, I couldn’t think of a good way to do that without spending a lot of otherwise needless words on it, so I gave you this guidepost.

So it’s ten years after the episode with Baz’s brother, Deliritous, and Rox in the Reading Room from Chapter 2 from last episode. Baz is running errands for Deliritous, so apparently if Baz did suffer any punishment for what happened that day ten years ago, it hasn’t kept him from remaining Deliritous’s slave. Torchsire’s still poor apparently–as Baz notes, he doesn’t wear silk robes like Speakers from other Libraries. Just ordinary black cloth for him, with a pair of sigils stitched on the front. One is a crossed pair of torches with a book between them. That’s the symbol for Torchsire Library we learn. That seems odd, right? Usually you want to keep fire as far away from books as you can, particularly books as valuable as the ones in this world. We’ll have to wait and see the significance of this symbol.

The other symbol on Baz’s black cloak is a dragon , which we’ve already learned marks him as a Destroyer, one of the three types of Speakers. Baz makes a point to lament his lack of a hood on his cloak–the Readers don’t want the Speakers hiding what they are by covering up their brands. This sort of has the effect of making hats a sort of status symbol. As we saw, Deliritous wore a giant hat, and we’ll soon see that most other Readers do as well, while Baz isn’t permitted to wear one at all.

In the opening paragraphs, we also learn that there are nine Libraries in Erstwhile, and Xavier is the largest. They have a big tower that’s the prime landmark in the city, and apparently hold Helfax Erstwhile’s original collection of Spoken Books. We don’t get any other details on who this Helfax was, but obviously he’s the city’s namesake, so must have been someone important.

Encounter with Illit

So we get that all in the first few paragraphs, then we move to the first of three major interactions in Chapter 3. Baz has a bit of an abrupt run-in with a peasant, who are called Illits in this world. Did you like how I wrote the start of this scene? “A door suddenly flew into the street.” I assume most of you read that metaphorically at first, as in, someone opened a door very quickly. But no! Literally a door goes flying off its hinges and nearly flattens Baz. Ah, and we’re introduced to the fine art of swearing in Oration. “Torn pages!” Baz cries as he jumps back from the door. You’ll notice that most of the curses in this world are related to bad things happening to Books–I think it’s a fun way to get creative with language, inventing curses like that. I don’t really have anything against usual swearing, but in writing it often just seems a little lazy to me, particularly in fantasy. If you think about it, most of our curse words don’t make any sense. At least here, they’re linked to something really bad–Books being destroyed is one of the worst things that can happen in a society that treasures them so highly. I’d love to hear what you think about this–drop a comment on YouTube, or email dtkane@dtkane.com. Maybe even suggest some other creative curses centered around bad things happening to Books.

Right, so the man who comes out of the house that’s now doorless is an Illit. Basically a peasant who can’t read. And he’s essentially helpless. I mean, the man doesn’t even know what a hammer is when Baz asks if he has one. And this isn’t an accident or isolated incident–Baz comments that the Libraries like to keep the Illits dependent on them. We already saw that they make money by having Illits come to them for Readings, and now we see that the Libraries also send Speakers out into the city to perform Readings that the Illits need for things as simple as fixing a hinge on a door. Typical sort of mandated dependency in an oppressive government, right? If you need the government you can’t really rise against it, even if it is corrupt. That’s the idea, anyway.

We actually see the suggestions of a rivalry between Xavier Library and Torchsire here briefly, too. Xavier’s encroaching on Torchsire’s turf, the Illit  saying he usually pays Xaviers to Read and fix things for him, even though he’s in Torchsire territory. Keep that in mind, as this isn’t the last we’ve heard of Xavier Library.

Interestingly, the Illit shows respect to Baz because he doesn’t want to get in trouble with Baz’s Duke, which flabbergasts Baz, but again just goes to show how far under the thumbs of the Readers these Illits are. For Baz’s part, he internally notes that he never even speaks to the Duke, so the Illit’s worries are entirely misplaced. Still, Baz offers to help the man with the door–internally we see Baz deny he’s really interested in helping–he’s just trying to get out of his chore for Deliritous. This is something we’ll see Baz do a lot of. Deny his true feelings, even when there isn’t anything wrong with them. You might recall from last time, Baz helping that old woman when she dropped one of her chicks. Baz has plenty of issues as we’ll come to see, but deep down he’s a good dude, even if he denies it.

Of course, Baz’s attempt to help goes south in a hurry. The man hands him a box full of various fasteners and when Baz suggests the man label the different compartments, he immediately takes offense, even asserts that Baz accused him of a crime. Baz realizes his mistake, as he’s implied the man might be able to Read. Just another reminder how no one but the Readers are permitted to learn how to read in this world. We can see by the man’s reaction just how conditioned most people are to abhor even the idea of reading. “I’m a law-abiding citizen,” the Illit man tells Baz. “Never even looked at the page of a Book.” He kicks Baz out of his house and we move on to the Conservatory.

Just one other note before we go there. Baz makes a brief note of the Burning, and that there was a Second Burning shortly after. No real details, other than apparently society for a short time tried to let others learn to Read between the first and second Burnings, but that didn’t work out for whatever reason. We’ll hear a lot more about the Burning soon, so tuck this away for now and stay tuned.

The Conservatory

So we get to the Conservatory, where Baz apparently needs to go to run an errand for Deliritous. I give a pretty detailed description of the outside and inside of the building. A lot of the time, I’ll look for real life buildings to model structures in my writing after. For the Conservatory, the outside is modeled after Bodleian Library in England, and the inside after Biblioteca do Convento de Mafra, Mafra, Portugal. I’ll toss a couple photos of those up on the screen if you’re watching on YouTube, and I’ll link to them in the show notes if you’re audio only and want to check them out.

Baz takes a moment to remind us what the Conservators do and how Spoken Books work. Only Conservators know the process for restoring Spoken Books. Baz tells us: “The Books’ inks faded as spells were read from them, the elements infused within them deteriorating with each use. Eventually, the Books wouldn’t work at all until they were re-inked, a costly and time-consuming process that only Conservators knew.” Lots of implication packed in here. First, another reminder that the Spoken Books deteriorate after each use–remember, that’s because in order to cast a spell, you draw power from the elemental inks the Books are written in. And now we learn that only the Conservators know how to restore Books. So they must have some pretty significant pull in society, right? All the Readers have to go to them to have their Books fixed. We see a suggestion of this when Baz notes that the Conservatory is the largest building in Erstwhile other than Xavier Library.

So Baz enters, and it’s pretty impressive on the inside, bright white marble everywhere, and there’s this statue at the center of the atrium he enters into. Baz calls it a Book Dragon. Does that sound familiar? Here, let me read the description for you again:

The center of the atrium was occupied by a large statue. Made of white, polished porcelain, it had a round, winding body like a wyrm, though it had limbs. One end terminated in a massive head with gaping jaws and eyes each as large as the moon. The body was covered in writing inlaid with gold. It was gibberish, though legend told that Words of the Trinity had been tattooed upon the hides of the actual creatures. Book Dragons, the great assistants of the Scribes. None had been seen since the Burning, some three hundred years prior.

Maybe I’ll make this the quest for today. One experience point to everyone who tells me correctly what this statue is referencing from earlier.  Email the answer to me, dtkane@dtkane.com.

We also get another reference to the Burning here, learning it happened 300 years ago and that Book Dragons haven’t been seen since. Interesting. So were all the dragons killed in the Burning? We don’t know, but it certainly doesn’t sound good.

And then we finally get our first look at actual Conservators, men in white robes conducting a ritual. The Conservatory is also called the “Conservator’s chapel,” so we already have the implication that there’s some religious aspect to them, and that’s born out here. The Conservators are praying to the “Scribes” and asking for protection from the “Dark Ones” and to maintain the barrier between this world and the Elsewhere. Sounds like the Scribes are thought of as gods and the Dark Ones the devil or some equivalent. The barrier between this world and the Elsewhere? Maybe this world’s equivalent of hell?

You might remember, we did see reference to the Scribes once before this, back in Chapter 1 Tax mentioned the “Scribes’ grammar.” Their father was killed for beginning to grasp the basics of the Scribes’ grammar. Ah, a connection! So whoever these Scribes were, it appears they were responsible for the language in the Spoken Books. Well, there you go. That’s enough to gain some understanding why they’re worshipped–they created the powerful Spoken Books.

We get more of a feeling for Baz’s irreverent personality next. What’s he call the Conservators? A “stuffy lot”? And when they finish their prayer but don’t acknowledge him, he sort of  just butts in, yeah? “Uh, pardon me?” They tell him he’ll need to wait. “I will?” he responds. Hah. I still chuckle when I read that reply. He’s about to get himself in hot water, but he’s saved by the entrance of a new character, Leanna.

Leanna

Leanna, we learn is Torchsire’s Librarian. Each Library has its own Conservator assigned there. Makes sense, right? Every time you need a Spoken Book touched up, you don’t have to go running out to the Conservatory. You’ve got some help in-house. Sort of like having a mechanic on call. Tune up your Spoken Books! Leanna also apparently cares for Torchsire’s “retired” Speakers. Not a lot of detail on that yet, but they’ve outlived their usefulness except for breeding because they can produce new Speakers. One, here’s some more evidence of cruelty toward Speakers–just keeping them around because they can breed? Geese.

And two,  they must not be that old since they can still reproduce, yet they’ve outlived their usefulness? The picture’s still a bit murky, but you get the idea it’s not a good one. You don’t want to find yourself a Speaker in this society it sounds like.

Let’s take a look at Baz’s description of Leanna:

She was tall. Taller than him, which Baz pretended didn’t bother him, even though it most certainly did. And she had deep chestnut hair that fell in a pleasant way down to her shoulders, and deep amethyst eyes. And a nice smile. And… well, all right. So there wasn’t much to dislike about her. Except that she was just, well, so burning nice to him. It drove Baz nuts.

Maybe a bit of a crush going on here, maybe? Baz internally denies even liking her, but you’ll see he’s a bit of an unreliable narrator. He’ll think one thing, but his actions will say something else. Keep an eye out for that.

We also learn that Leanna is a driven young woman, aspiring to rise through ranks of Conservatory. She doesn’t even like being called by her current title, Librarian, as it reminds her of how far she has to go. Baz actually decides against calling her by that title, which seems to be saying something since he apparently doesn’t have an issue running his mouth with others. See, for instance, Leanna’s reference to Baz having run afoul of the Conservators in the past and having to do penance, staring at a wall all day praying.

Mention of the Trials

So Leanna gets Baz out of hot water and takes him out of the Conservatory. We learn in their subsequent conversation that Deliritous is leaving in a couple days for the Trials. Ding ding ding! If you picked up on this, congrats. A+ for the day–here’s our reference to the novel’s title. We get a few details, apparently the Trials involve competitors leaving the city and bringing back new Spoken Books. And they are dangerous–Baz notes that it’s likely at least one competitor will die, and he hopes it’s Deliritous. A bit unclear how serious he is about that. “It’s just statistics!” he says when Leanna chides him for his impropriety. But he clearly doesn’t have a high opinion of Deliritous, and I guess we can’t blame him after what he did to Baz’s brother back in Part I.

We also see some of the playfulness between Baz and Leanna. Maybe she likes him too, eh? “Too bad you aren’t going with him,” she says to Baz after he says it’s likely someone will die out on the Trials, clearly joking it’s too bad he won’t go out and die too. Also an interesting tid bit here, though, is the revelation that Baz isn’t going on the Trials with Deliritous.

Leanna also notes that she thinks Deliritous is afraid to use Baz because of Baz’s brother, implying there’s concern that Baz might try to get revenge. Baz, in what we’re quickly coming to learn is his characteristic sarcasm says that’s crazy: “And get a shave from Rox’s razor for my troubles?” As we’ve seen, Rox’s razor would give you much more of a shave if he used it on you. Baz does admit to dreaming of Deliritous jumping off a tower, though. Then he cuts Leanna off form further conversation on the topic–obviously anything touching on Baz’s brother is a touchy topic.

We end with Baz turning the conversation to why Leanna was looking for him in the first place. She says Deliritous has asked for Baz to meet him at Xavier Tower. They’ve captured a Citiless. What is that? We don’t know, but it excites Baz. And there the chapter ends. We’ll have to wait until next week to learn what’s so exciting about a Citiless.

CONCLUSION

Homework: OK, so homework for next week. We’ll be reading Chapter 4. A pretty long one. We’ll see some more interaction between Baz and Leanna. She tells a sort of sappy story, but there’s a lot of backstory packed into it, so keep an eye on that. And we learn more about what a Citiless is. And then we move on, going to Xavier Tower and meet a whole bunch of Readers, along with their retinues of Speakers and Harbours. We learn a whole lot more about society in these pages, so pay attention to the world building. Then we’ll meet this Citiless who’s been captured–he’s not exactly being treated kindly. He’s muttering gibberish, or is he? Finally, at the end of the chapter, Baz makes a big decision. Think about that, and what it means for his character. 

Listener Question: How do you keep track of all the details and characters in your books?

Quest: I already gave out your quest earlier. What is that statue of the dragon in the Conservatory calling to mind from earlier? Email your answer to dtkane@dtkane.com. 1XP And remember, you have until the first episode of March 2022 to send me your answers for the quests from episodes 1 and 2.

Quote: “The trouble with having an open mind, of course, is that people will insist on coming along and trying to put things in it.”

That is from the beloved late Terry Pratchett. Our more casual fantasy fans may know him best as the co-author (along with Neil Gaiman) from the recent hit TV show Good Omens starring David Tenant and Michael Sheen, but in fantasy circles he’s probably best known for his Discworld series, which is a satirical take on the fantasy genre. I like this quote in particularly because it’s funny, but has some depth too, and it sounds like something Baz might say.

Until next time, this has been D. T. Kane’s Epic Fantasy Book Club.

Episode 2: D. T. Kane’s Epic Fantasy Book Club, The Acktus Trials, Chapters 1 and 2

D. T. Kane reads chapters 1 and 2 from his epic fantasy fiction novel, The Acktus Trials, and discusses the chapters with his audience.
http://dtkane.com
Purchase The Acktus Trials: https://dtkane.com/books/the-acktus-trials/
Map of Oration: https://dtkane.com/resources/map-of-oration/

Below are my notes/script for the episode, not a verbatim transcription.

Welcome back to D. T. Kane’s epic fantasy book club. Today is January 22, 2022 as I record this. Hopefully you’re as eager as I am to discuss the two chapters we just read. I’ve got some great listener questions to go over as well, so let’s hop right in.

Personal Update

Before we get to the book, just a quick personal update. By the time this episode airs, The Acktus Trials, the novel we’re reading together right now, is available for purchase at most online retailers where you find books, both as an e-book and physical copy, so if you can’t wait for the next 20 or so episodes and need to find out what happens now, or you just want a copy so you can follow along with the podcast, you can get yourself one.

As far as my current projects go, Part II of the Spoken Books Uprising is with my editor now, and I expect that to release by the end of March. More details to come on that, so stay tuned. I’ve also just finished my first round of edits on Part III. From there, my process is to print the whole thing out and do a round of edits with a red pen, then enter all those into the computer. Once that’s done, it goes to my editor. If everything says on schedule, Part III should release around midyear, so lots more reading for your enjoyment coming soon.

For those interested, Part II is called Declaimer’s Discovery and Part III is called Declaimer’s Flight. And just full disclosure for those of you who are completionists out there, Part III is not the final part. I always try to tell a complete story in each of my books, but the larger story definitely goes on past Part III.

ANALYSIS CH. 1

Tax and Baz

Alright, let’s jump into our discussion of chapters 1 and 2. And if you have any suggestions for how I can structure our discussions differently in future weeks, definitely send them to me, dtkane@dtkane.com. I have a bunch of notes written down, organized into loose categories–I’m sure if you’re watching on YouTube that you’ll see me glancing off camera at them frequently. But really, I’m just waxing poetic about my own writing here, so I’m definitely happy to hear any suggestions from all of you out there listening.

So last week I told you to specifically keep an eye on what the older brother—Yeltax or Tax for short—is teaching his younger brother—Baztian, or Baz for short.
 

A World Where Reading is a Super Power
Now, right off the bat, we have a rather odd admonition–“Reading Books can get you killed.” I know this technically isn’t the first line of the book, since we had a prologue, but it’s the first line of chapter 1, so it’s sort of the first line of the book. I try not to put too much stock in opening lines, but many folks are so obsessed with that flashy opening line it’s hard for me to completely disregard it. I like to think this is a pretty provocative one, and it really speaks to my concept for this novel and really the whole series.

This gets us into our first listener question. Linda from New York writes: “D. T., what was your inspiration for the Spoken Books Uprising?”

My original inspiration for the Spoken Books Uprising was the idea, “hey, what if reading books was a super power?” And that’s sort of what I’ve done here, right? I mean, it’s not a super hero book, but basically if you can Read, you are a bad ass in this world. It’s the only way to cast magic. I mean, as a lifelong reader and general obsessionist over books, how freaking cool is that? Most people think you’re a nerd if you like reading. Not in Oration–you’re the coolest kid in school!

Of course, as neat as that concept is, I couldn’t leave it at that. I needed to complicate matters, because ultimately that’s what stories are. A whole bunch of obstacles between your characters and what they want. So, I thought to myself, “How could I twist this idea of reading as a super power. Ah, what if only certain people can unlock the power of the magic books?” Ok, interesting, so you have a potential upper class of folks who can read, while all the normal people can’t cast magic. Alright, but that’s how many stories with magic are. Not everyone can cast it. Let’s add another layer–not everyone can cast magic from the books, and those who can are enslaved and never taught to read. Oooohhh. Now we’ve got something. You can see a whole culture forming out of that single idea, and it also evokes some pretty strong emotions. These people are born with such an awesome power, but they’re downtrodden and never given a chance to exercise it? OK, there’s a story . In fact, I think there’s a whole bunch of stories there, since I’m planning on the Spoken Books Uprising to span a dozen books.

Right, so Reading can get you killed. Yeltax establishes this for us in the very first sentence. And we quickly learn he’s not exaggerating when he tells us that his father was killed by the Readers, not because he could read, but simply because he was suspected beginning to have a basic grasp of grammar. Just the risk of him maybe learning to read one day was enough to get him killed. OK, so the Readers, who are the ruling class in society, really don’t want people like Yeltax and his father learning to Read. We’ll get more details as to why this is the case later, but since reading = power, obviously the Readers want to keep that power away from their slaves.

And yet, we quickly realize despite that, Tax is teaching Baztian, his little brother, to read. Obviously Tax isn’t doing this lightly–he makes a point of reminding Baz that he promised their father to look out for Baz, yet he’s still submitting him to this danger. There’s a bit of a rebel in Yeltax, right? What’s he say? “Someone ought to be able to stand up to them.” So he’s teaching his brother to read in hopes that one day he might stand up to the Readers.
 

Import of Keeping Your Word
Another interesting point here, and this is an example of something I’ll always try to point out–bits of text that might not be obviously important when you first read them, but will become so over the course of the book. Tax tells Baz that “A man always keeps his promises. That’s what sets us apart from the Readers, Baz. We keep our word. Don’t forget that.”

Heavy, right? We see the deep distrust Tax has for the Readers here, and I guess you can’t blame him since they killed his dad for not even a crime, but the possibility he might commit one in the future. And we also see the value Tax puts on keeping his word–you’re as bad as the Readers if you don’t. Even to a young boy like his brother, that’s got to make an impact. You keep your word, Baz, or else you’re no better than the men who killed father. Yeah, remember this sentiment, as it echoes across the rest of the book.
 

Types of Speakers
OK. The next big piece of information we come to are the three types of Speakers: Destroyers, Creators, and Influencers. Baz is a Destroyer, and we know that because he’s got a dragon branded on his forehead. That gives you even more of an idea of how the Readers treat their slaves, right? Marking them like cattle. We’re also told that Tax is something called a “Tri,” which means he is all three types of Speaker in one. This is rare, so he enjoys special privileges that other slaves don’t, like free time during the middle of the day to spend time with his little brother. Heck of an older brother–using his work breaks to chill with little bro and teach him.

We don’t learn a ton about the distinctions between the three types of Speakers yet, other than the analogies Baz offers for each of them:

Baz had once heard a Conservator compare the language of Creation to a doe lapping water from a creek, and the language of Influence to the drumming of marching men’s steps, steady and inevitable. Destruction, however, wasn’t nearly so straight forward. Some of its syllables were like the menacing snort of a bull, others a falcon’s high screech, and still others like the refined, sharp edges of a lion’s roar.

Dangers of Reading
We do learn there are dangers associated with Reading spells from Spoken Books, though. First, Tax and Baz are in what’s called a Reading Room, and it’s built so that it’s away from the rest of the building. Apparently, that’s done because “Speakings can go terribly wrong.” While it’s rare, we learn that the reading room of one of the other Libraries in the city was recently destroyed by a spell gone wrong. And apparently Speakers can also be injured by mispoken spells. Baz speaks of having burned the inside of his mouth the last time he tried to speak a spell. He also mentions the possibility of “scorched lungs.” So reading is both illegal for Speakers and also carries physical risks if you don’t know what you’re doing.
 

Wealth of Books
Another interesting tidbit that will be relevant throughout the novel: Torchsire Library, which is the Library we’re in during this scene, has one shelf of Books in its Library and that shelf is only half full. We learn both that this makes it one of the city’s smaller Libraries, but also that that few books is still a “grand fortune.” So we can glean from that that there’s certainly a premium on Books in this world–there aren’t a lot of them, and the ones that do exist hold the power to cast magic. Again, you see how that single concept of a world where magic comes only from books quickly creates a lot of its own rules and culture. Naturally, books are going to be extremely valuable in such a society.
 

Stop Runes
Alright, that brings us towards the end of the chapter, where we see Baz actually finally get to do his reading. He’s a bit impatient, right? Rolling his eyes at his over-protective brother, eager to set something on fire. Well, finally he gets to do it, but only after we learn another important fact—Stop Runes. These are sort of like the safety on a gun. Before you read a spell, you read the stop rune, and it prevents someone from repeating your same spell and using it against you.

You can also use it as a sort of mulligan, a redo. Speak the stop rune and none of the ill effects of misreading a spell will occur. So that’s good–there’s a way around blowing up the room if you screw up. Even still, you can sense some of Baz’s anxiety as he begins to Read the spell. He’s failed and burned his mouth at least once before, so even what is apparently a rather simple spell carries consequences for failure. But from a story perspective that’s good, right? The magic system needs to have costs or drawbacks. If you can just snap your fingers and cast whatever magic you want, you’re in for some pretty overpowered characters. Often, the most interesting thing in a fantasy ends up being what you can’t do with magic, since there’s where the real complications come from.

And speaking of complications, well we get one at the end of the chapter, right? Baz successfully lights his candle, only to have the door to the reading room open the next moment. And the dire warnings from the beginning of the chapter suddenly become very relevant. Their father was killed for suggesting he might learn to read one day, and there Tax and Baz are, with a stolen book, Tax apparently able to read well enough already to teach his little brother, and Baz having just successfully read a spell. They’re in some serious trouble when whoever it is who just opened the door sees them.

ANAYLIS CH. 2

OK, on to chapter 2. This episode’s running longer than I think the typical one will go, but I wanted to get through Part I today–which is just Chapters 1 and 2–as it’s really just one long sequence and I didn’t want to break it up.

Deliritous

So the door to the reading room opens and we collectively hold our breaths as we turn the page. Phew! False alarm, right? The guy who comes in can’t see that Tax and Baz have a Spoken Book with them. Tax quickly hides the book beneath a loose stone in the floor—crisis averted. Well, at least for now.

So we meet Deliritous, the youth behind the stack of Books. You might not be able to tell it here, but I like Deliritous. He’s certainly one to watch if you buckle in for the long haul on this series. In this chapter, though, we’re sort of scrambling to find redeeming characteristics in him. Flamboyant and cavalier are a few adjectives I think really come to mind to describe him.

I mean, let’s start with his outfit. A velveteen tunic, and he’s wearing this giant hat, a purple feather sticking from it. Think a musketeer hat here. Large and in charge. Probably too big for him, right? I mean, I don’t say that in the text, but I do tell you he’s 13, and an awkward 13 at that, below average height but outgrowing his clothes so they never fit right. Maybe just a bit of a walking-around-in-dad’s-clothes type image here.

I think we get the sense too that he’s a bit entitled–heir by default, rather than really merit, since he’s his father’s only child. And Baz makes a point to say how ridiculous it is, Deliritous walking around with a stack of Spoken Books. In this world, that’s sort of like taking a stroll with a Ming vase under each arm, just reckless in the extreme.

Then he opens his mouth and things don’t get much better. I mean geese, what, in the first two pages we meet him, he makes two awful, insensitive jokes. One’s about letting Yeltax keep his eyes. What’s that about? The implication there is that not all Speakers get to keep their eyes, right? I mean, I guess that makes sense in a chilling sort of way–they don’t need to see, they just have to be able to talk–they’re not supposed to be able to Read, even though we know Tax can. But again, this speaks to just how much power the Readers lord over the Speakers–they can take away their slaves’ sight on a whim if they wish it.

Then just a few paragraphs later, he makes this joke about how it won’t be his mouth that burns if he mispronounces a word–it’ll be Yeltax who ultimately mispronounces the spell and suffers the consequences. At least he’s got shame enough to realize that one fell on deaf ears, where he clears his throat and smooths out his unwrinkled tunic when no one laughs. Still, we’re left with the image of a self-centered, entitled youth here.


Despite Deliritous’s privileged status, though, we also get a sense of how comparatively privileged Yeltax might be, at least compared to Baz. They’re both slaves, but we see Deliritous immediately addressing Tax, whereas he doesn’t even seem to realize Baz is present for quite some time, and when he does finally notice him, he… what do I say… “looks around the room as if there might be some place he could hide Baz.” We sort of get the sense that Baz’s experience is perhaps a bit closer to the norm for Speakers. “Baz, along with the vast majority of other Speakers, was expected to remain silent unless a question was directed to him or he was actively repeating a Reader’s words from a Spoken Book.”

Indeed, an interesting tidbit Baz drops here too: “As often as not, a Reader would assume that a Speaker who opened his mouth out of turn was attempting to cast a spell. And if a Reader believed that? Well, Speakers were far less expensive to replace than a Reader.” In case you were wondering what’s to stop Speakers from just turning on their Masters by repeating a spell? Well, we have the Stop Rune–we already read about that in the previous chapter, the safety on the gun. But we also have this sort of startling reality where, just by talking, a Speaker risks death. That’s a pretty good way to keep yourself safe if you’re a Reader. If your Speakers are frightened to talk at all, well then you don’t have to worry about them speaking spells that might harm you.

Rox

Alright, so we have Deliritous, and then we have our other big introduction of the chapter. Pun intended, right? Rox is a huge man–he makes “tall, oak doors seem small.” He’s two feet taller than Deliritous, and while Deliritous is below average in height, he’s also not particularly short. So that makes Rox, what? Definitely over 7 feet. We’re talking a guy the size of the Mountain from Game of Thrones. He’s bald, with sort of grayish skin. You know when we see Darth Vader take his helmet off at the end of Return of the Jedi? That’s sort of what I picture when I think of Rox. Well, that, and his Hannibal Lector type facemask. How creepy is that? A scarred, bald man with gray skin, wearing essentially a leather muzzle over his nose and mouth? I mean, he doesn’t sound like anyone I’d want to be in the same room with.

And he proves that almost immediately after we meet him. A little old lady startles him and he nearly chops her head off. Now, is he just over protective of Deliritous or a blood thirsty killer? Well, we’re not entirely clear on that at this point. We do learn, after all, that he’s sworn at oath to protect Deliritous and he seems particularly obsessed with the meaning of words. “The words mean what they mean”–Rox repeats this several times. Still, we’re not getting any warm and fuzzies from Rox at this point. And his weapon certainly doesn’t give you any reason to want to cuddle up to him either. I don’t know how well my description does it for you, but basically picture an old-fashioned straight razor, the kind that folds into its handle like a pocket knife, except it’s several feet long and when it’s closed, the back edge of the blade is like a saw, and then you can snap it open to have this longer-range slashing-type weapon. He’s ready to fight Freddy Krueger with that thing, right?

And we were just talking about things keeping Speakers from attacking their Readers. Well, Rox and Harbours like him are certainly another reason, right? If every Reader has a giant protector like Rox, well a Speaker’s going to think twice before attacking their Reader.

Reading

So we learn it’s Deliritous’s job to see to Torchsire Library’s supplicants this day. Apparently this is a frequent ritual, and one that makes the Library money. Poor people come to the Library to ask the Readers to use their magic to cure various problems. And Torchsire Library needs it, apparently. We’ve got this funny for us/embarrassing for Deliritous exchange where he basically admits in front of this old woman that Torchsire Library doesn’t even have enough money to pay a full rotation of guards. Something about money being tight since an injury Deliritous’s father sustained. Hmmm. No more info about that here, but let’s keep that in mind going forward.

But for now, we do get this sense of Deliritous being a bit of a bumbling incompetent, not really knowing how to act like a noble despite being one. Even the old woman doesn’t seem to have much confidence in him. She tries more than once to back out of having Deliritous Read the spell once she learns Deliritous’s father won’t be coming, but he won’t let her. So, the implication here seems to be that Deliritous’s father is a pretty well-regarded Reader, but Deliritous certainly is not. And her trepidation seems founded, right? I mean, Deliritous doesn’t even know what type of spell he needs to read to help her little chicks out. Baz’s brother has to ultimately point him in the right direction, and Deliritous covers with the lame excuse that he was just giving Yeltax a test.

So we finally get the right Book setup on the podium. Deliritous makes this offhand comment about the ink in it being faded and needing to send it to the Conservators for restoration. Tax responds that there appears to be enough elemental ink left in the Book for several more Readings before the Book will lose its power. Two important things here, one explicit, one more implied.

First, the implied point–Spoken Books apparently wear out over time, their ink fading with each Reading. But they can also be restored, and there’s apparently a whole group, the Conservators, who do that. Again, coming back to all these interesting things that grow straight from the novel’s basic concept. In a world where Books hold power, keeping your Books in good order must be important. So it sort of makes sense that a whole profession of Book restorers would arise, right? And, if I was a betting man, I’d say those Restorers likely hold some power in this land. But we’ll have to wait and see for that.

The more explicit thing that comes of this exchange between Deliritous and Tax is that Tax makes a pretty serious mistake here, right? He lets slip that he was looking at the text of Deliritous’s Book. Man, even sickly sweet Deliritous gets dangerously quiet at that, threatening him to never do that again. The moment’s gone in an instant, but you certainly get the sense from Deliritous’s quick shift out of his yappy, incompetent character of how dire it is for a Speaker to do something even suggesting interest in Books. After all, remember that we learned in chapter 1 that Taz and Baz’s father was killed for merely suggesting he might be learning to Read.

One other interesting thing of note here, while inwardly criticizing Deliritous for his dismay over how long the Spoken Books tend to be, and if you’re having trouble picturing them, think like a book the size of a bible a priest might read out of at mass–these things aren’t transport friendly–Baz notes that one reason for their size is that all the elemental ink in them is needed to serve as a sort of fuel to power the spells being Read. So that’s an interesting insight into the magic system here as well–we’ve learned the elemental ink fades over time and now we see that’s because the person casting the spell actually draws power right out of the ink in the Books. That also explains something else you might have been wondering–you can’t just memorize the spell and then go about casting magic without the Book. You need the words of the spell, but also the fuel of the spell’s ink to cast the magic. Another limitation, right? You have to lug around these giant books in order to cast magic.

Alright, so finally we get to see our first Reading, where a Reader repeats a spell to a Speaker and the Speaker casts it. Just to set the stage, we’ve got Deliritous up at his podium, Baz beside him as page turner, Tax off to the side and Rox standing behind him, keeping watch for any signs of betrayal. And, of course, we have this poor old woman looking on who just wants her little chicks healed.

Deliritous starts Reading, and Baz, of course, is immediately hyper critical of him. If you hadn’t gotten this by now, you probably haven’t been paying attention, but Baz doesn’t like Deliritous much, and that’s only going to get worse in a few moments. But for now, we see that Deliritous isn’t too good at Reading, but Tax is so skilled that he can still repeat the spell properly even through Deliritous’s terrible diction.

Well, that is until Baz loses focus and doesn’t turn the page when he’s supposed to. Deliritous tries to get his attention, snapping his fingers at him, but too late. The spell fizzles, Tax yelps in pain, presumably because the failed spell has burned him, and the poor baby chicks! A big bloody mess–remember we’ve already established misread spells can have dire consequences and we see it here. The spell that was supposed to kill the diseased in the chicks, when Read incorrectly, instead kills the chicks themselves. The poor old woman trips to the floor, then goes rushing from the room, her fears of Deliritous’s incompetence proving to be true, at least in her eyes.

Interestingly, while Deliritous is obviously furious with Baz for messing up the spell, he restrains himself from striking him. Now, in modern times this would be no great feat–we of course don’t go around striking people whenever we get mad. But in this world of master-slave, this seems to be an unexpected sign of restraint. So maybe Deliritous isn’t quite as awful as he seems. Or maybe he just didn’t want to hurt his hand. We’ll see.

Tax’s Fate

Of course, the woman’s fall and quick exit reveal something horrifying for Tax and Baz–the stone in the floor where they’ve hidden the Spoken Book has come loose and Rox sees it. Now, maybe they could explain it away, except for, ugh!, the book mark in it. Apparently it used to belong to Tax and Baz’s father and Deliritous remembers it, which means even Deliritous is able to put together who put that Book there.  Tax displays remarkable composure here, but little Baz just can’t help himself, blurting out that Tax never meant to hurt anyone, which of course proves that Tax was, indeed, the one who stole the Book. Of course he meant well, but he’s inadvertently sealed his brother’s fate. And what else do we learn? That it was Baz’s idea to use their father’s marker in the Book. So we’ve got the failed page turn, Baz inadvertently revealing his brother stole the Book, and also the Bookmark that gave them away–lots of reasons for Baz to feel guilty about what’s about to happen.

And we all know what happens now–Deliritous orders Rox to kill Tax. Now, did you catch that Rox displays hesitance to do so? He certainly looks like a blood-thirsty monster, but he doesn’t just jump at the opportunity to kill Tax. In fact, he makes a point to reference back to his oath–Tax isn’t posing a threat to Deliritous, so why should Rox kill him? Of course, Deliritous retorts that Tax’s very existence as a Speaker who can also Read–we learn in the last lines of the chapter that such a person is called a “Cuss”–is a threat. “He could lay waste to this Library” Deliritous says, and besides, it’s illegal for a Library to permit a Cuss to live unpunished, Deliritous tells us. The other Libraries would send assassins. Interesting–now, do we think the other Libraries would kill over learning Torchsire has a Cuss because they’re afraid  of the Cuss, or could it maybe be because they don’t want a competitor to have such a powerful individual under its control? Hmmm.

Rox obviously isn’t thrilled with Deliritous’s explanation, but as he says in his deliberate, low-voiced way, he hears Truth in Deliritous’s words and moves to carry out his master’s command. “Keep breathing, Baz,” Tax says right before Rox reaches him. “Keep surviving.”

Conclusion

Right, so not the happiest of endings to this week’s reading, but hopefully you’re motivated to read (or listen) onward. What’s going to happen to Baz now that he doesn’t have his brother? Does he get punished as well? We’ll see next week.

Homework. So we’ll read Chapter 3 next week, which begins Part 2 of The Acktus Trials. Baz meets an Illit–a commoner or peasant. Their interaction tells you a fair bit about this society, so pay attention there. Then Baz heads to the Conservatory. We learned today that Conservators have the job of restoring Spoken Books when they’re worn out, so it will be interesting to see what they’re all about. And we’ll meet another new character, Leanna. What do you think of her and how Baz interacts with her? Finally, see if you can catch the reference to the novel’s title somewhere in Chapter 3. And remember, if you don’t do your homework, no problem! I’ll do your reading and answer all these questions and more next week.

Listener Question: Tom writes, “D. T., Who’s your favorite author?” Probably Robert Jordan, just because of the substantial impact he’s had on my writing. I also really enjoy Joe Abercrombie, but I don’t really write like him at all. I enjoy Jim Butcher’s Dresden Files books as well, and I suppose I at times try to channel some of the dark sarcasm the main character uses in those books.

Quest: About how old is Baz in chapters 1 and 2? It doesn’t come right out and say it, but you can figure it out from context. 1XP

Quote: “A reader lives a thousand lives before he dies . . . The man who never reads lives only one.”
– George R.R. Martin

Until next time, this has been D. T. Kane’s Epic Fantasy Book Club.

Episode 1: D. T. Kane’s Epic Fantasy Book Club, The Acktus Trials, Prologue

The inaugural episode of D. T. Kane’s Epic Fantasy Book Club! Each week, he reads from one of his novels and discusses that episode’s reading with his listeners. It’s like a book club, except he does all the work for you!

www.dtkane.com
Purchase The Acktus Trials: https://dtkane.com/books/the-acktus-trials/
Map of Oration: https://dtkane.com/resources/map-of-oration/

*Below is not a transcription, but a copy of my script/notes. I do not read it verbatim during the episode.

Intro

Hello, I’m D. T. Kane and welcome to my Epic Fantasy Book Club. Today is January 17, 2022. We’ll usually start the podcast by jumping right into wherever we left off reading last week, but since this is the first episode, I thought a bit of an introduction made sense.

I’m an epic fantasy author with two series in progress, the Spoken Books Uprising and The Agarsfar Saga. Now, don’t get me wrong. Selling books is great, but I want to get my stories into as many ears as possible. So I figured why not start a podcast and share my stories with anyone interested in listening. Each week my plan is to read one or more chapters from novels that I’ve written and then discuss them with all of you. Think of it sort of like a book club, except you don’t have to do any of the reading or even participate in discussion if you don’t want to. I’ll do all the work for you—you just need to tune in each week and listen! So if you’re an introvert like me and have always liked the idea of a book club, but getting together with a group of people you hardly know and talking isn’t your idea of a good time, maybe this will be more your speed!

I plan to give you weekly updates about my current works in process and life in general so we can get to know each other a bit better, so I’ll only give a brief personal introduction now. I’m a lifelong fantasy reader who only recently came to grips with the fact that I’d rather pursue my dream of being a writer than work a corporate day job for the rest of my life. I’ve released two full-length novels as of this recording, with several more on the way this year. I love reading and listening to and dissecting fantasy stories and I hope to get into some great discussions with all of you in the weeks, months, and hopefully years to come. Each week I’ll give some suggested questions for everyone to consider for next week’s episode, and I also strongly encourage listener questions. I’ll also be giving listeners a mini quest to complete at the end of each episode, so make sure to stay tuned through the end for that!

Alright, enough introduction. Let’s get into the fiction. Today and for the next, oh, 20 or so weeks, we’ll be reading the first novel in my series, the Spoken Books Uprising, which is called the Acktus Trial. Here’s the back cover blurb:

[read back matter of novel]

Alright, let’s get into the actual reading now. For those on YouTube, I’ll put a map of Oration up on the screen and show notes, or you can visit dtkane.com/resources. See you on the other side to discuss what we’ve read. As Deckard Cane once said, “Stay a while and listen.”

[Read Prologue of The Acktus Trials]

Discussion of Prologue

Alright, a lot to unpack here in the prologue. Obviously at this early stage we’re going to have a lot more questions than answers. I’ll try to keep spoilers to a minimum and when I do give a spoiler, I’ll at least try to imply it, rather than simply give something away, but I don’t think it’s really possible for me to have an interesting discussion with you while keeping all my cards entirely face down. I’m sure I’ll be playing around with the format of our discussions, so feel free to send me suggestions on what you like, what you don’t, and what you think I should try.

First Sentence

Let’s start right with the first sentence (re-read). Lots of info packed in here. We’re in the tower of a Great Library—that’s capitalized, so it must be important, right? And some terrible spell has blown its roof clear off, and apparently our narrator feels that spell is going to have long-lasting ramifications for Oration, which the first sentence tells us is our setting. The land of Oration. How’d I do with that first sentence? Gripping enough? I’d love to hear your thoughts, either in the comments on YouTube or shoot me an email, dtkane@dtkane.com.

Names

So from the first sentence, we quickly move on to meet the prologue’s perspective character, and he’s got quite the name, or series of names I guess is more accurate. Pront vi Lextor, Librarian of Tome, Prefect of Saltz, Keeper of the Inks, Protector of the Sheafs. Now, at least one of my readers has asked me where I get the ideas for the names in my novels. Well, how about I answer that with a story? I’m a novelist, after all! Now, as of this recording, we’re just about a month removed from the Christmas season here in the US, and when I was home with my parents we watched The Man Who Invented Christmas, which is about how Charles Dickens wrote A Christmas Carol. Great movie, I’d definitely recommend. Now, there’s a scene  where Dickens is pacing his office like a madman, trying to come up with the name of his main character, spewing off all sorts of ridiculous names.

For the most part I’m nothing like that. Sometimes I’ll search real life for inspiration, sort of deforming friends’ or acquaintances’ names to fit into my tales. I guess Dickens also kept a running list of interesting names he came across and used them in his fiction. I do that with lots of other things, particularly descriptions, but not really with names.

A trick for names I do like is to come up with a word that somehow relates to the character and run it through Google translate. I’ll just flip through a bunch of different languages until I find a word that sounds cool and then I’ll shape it into a name. For instance, if I have a character who is really ugly, I might run the word “frightening” through Google translate and see what I come up with (do example live). Other names, especially for characters who aren’t main characters, I’ll often just use the first name I can think of. When I’m writing my first drafts, I try to avoid anything that will break me out of the flow of writing, so I try not to get hung up on names. I’ll ponder briefly and toss the first thing that sticks into the manuscript so long as it sounds remotely appropriate. Sometimes I tell myself I’ll change it later during revision, but I almost never do. By that time, the name has stuck in my mind. Sort of like how you meet someone and their name seems a bit odd at first to you. But hey, it’s their name. You just come to accept it.

Now Pront vi Lextor, though, I don’t really have any story behind. There’s just something cool sounding about it. I think it’s the sound of the three-word name that goes one syllable, one syllable, two syllable. Something about it sounds imposing.  The late actor Max von Sydow, of Seventh Seal and Exorcist fame, there’s a good real life example. Pront vi Lextor. The rest of his titles after his name is a pretty common fantasy trope for important leaders.

  • Daenerys Stormborn of House Targaryen, the First of Her Name, Queen of the Andals and the First Men, Protector of the Seven Kingdoms, the Mother of Dragons, the Khaleesi of the Great Grass Sea, the Unburnt, the Breaker of Chains (from Game of Thrones)
  • Elayne Trakand, Queen of Andor and Cairhien, Defender of the Realm, Protector of the People, High Seat of House Trakand, and Aes Sedai of the Green Ajah (from Wheel of Time)

All his titles  relate to the importance of writing and books in this world, save for Prefect of Saltz. That one’s a bit mysterious, but won’t be relevant for a while so I’ll leave that there. Also, generally speaking someone doesn’t get that many titles unless they’re pretty damn important, so I don’t think it’s much of a spoiler for me to say that you should recognize Pront vi Lextor as someone who’s going to have some importance in the story to come.

Dragon

Alright, enough about Pront’s name. So we see he’s feverishly writing some sort of book, but we don’t learn what it is. And as he’s writing, he’d worrying over these voices he can apparently hear coming from beneath the tower he’s in. Is he crazy? Or is there some dark magic at work here that he’s fighting against? Well, I said I’d give some spoilers, but that would be much too large a spoiler, so you’ll just have to keep listening to find out.

Right, so we get into the meat of the prologue when the dragon arrives. I won’t rehash his entire description, but he’s essentially a white Chinese dragon, right? Slender long body, no wings. Now, his one distinguishing characteristic is the writing that’s all over his body. At this point we don’t exactly know the significance of this, but you know from the back cover blurb that books in this world hold magic powers, so a dragon that’s essentially a flying book, well that’s something interesting I’d say.

Obviously, Pront vi Lextor knows the dragon, greeting him as an old friend. As the two of them talk, we learn that there are more dragons like this one and they’ve been working to rescue books from the Great Library—obviously some great calamity has struck, but we’re still not clear what it was.  All the color we really get is when the dragon says “The shelves have fallen.” Now, in a world where books are so important, shelves falling sounds pretty ominous to me, but again, it’s not clear at this point just what happened. This will be important throughout the story, though, so just keep it at the back of your mind for now.

Next, Pront vi Lextor gives the dragon the book he’s just finished writing, making clear he needs to get it to safety to a place called Fortune. The dragon seems surprised that he’s picked him to entrust the volume to and not Helfax or Leamina, who are apparently to other individuals the dragon holds in high regard, which you can tell by the dragon’s reaction when Pront reveals that they both fell holding off a threat, presumably the one that has created the calamity at the Great Library.

Pront then declines the dragon’s offer to take him away, stating instead that he must stay to finish trapping his foes in Under Tome. While Pront doesn’t admit it to the dragon, he’s obviously worried about that task, since as we read, he has to force himself to sound stronger than he feels. The dragon is obviously heartbroken over leaving Pront vi Lextor behind, but also obeys his command and floats away.

The prologue then comes to an end with Pront vi Lextor descending the tower to be about his task of trapping his enemies, lamenting how they’d interfered with some great work he’d been performing, and praying that the book he just wrote falls into the right hands so that it can lead the land of Oration out of darkness. So finally, there’s a hint about the book he gave to the dragon. It holds some sort of secret that will help rescue the land from the threat at the Great Library.

Conclusion

Right! So that’s the prologue. Obviously, pretty much all questions and no answers that this point. But a lot of what happened here will be a touchstone we return to throughout the book, so don’t take it for granted. There’s lots of foreshadowing here that I think you’ll find quite rewarding as the book moves on.

Homework. OK, time for some homework. But remember, this is a passive book club, so unlike school, if you don’t do your homework no problem, because I’ll do it for you! Next episode, we’ll read Chapters 1 and 2, which comprise Part I of the novel. We’ll meet two brothers who are slaves, and you should pay close attention to what the older one is teaching the younger. It’s going to introduce you to this world’s magic system, so see if you can pick up on some of its rules. We’ll also meet the brothers’ master and his giant bodyguard, who are also key characters throughout the novel. Keep an eye on their interactions with one another. I’m looking forward to another great discussion next week!

Right, just a couple other quick things.

Listener Question. Diane in New York wants to know–“D. T., what’s up with the hat?”

Quest: So like I noted at the beginning, each week I’ll have a mini quest for listeners to complete. This week’s quest is a question: What do you think was my inspiration for the dragon we meet in the prologue? Email you answers to dtkane@dtkane.com, as well as any questions you’d like to hear me answer on a future episode. Everyone who sends me a correct answer to this week’s quest will earn 2 experience points! I’ll be keeping a tally and award prizes from time to time to our top experience earners, so be sure to send in those answers!

Quote:  “Always speak politely to a live dragon.” -Steven Brust (author of the Vlad Taltos series).

Until next time, this has been D. T. Kane’s Epic Fantasy Book Club.

Devops Це Не Важко: Порівнюємо З Іншими Професіями

Звісно, заробітна плата може відрізнятися в залежності як від типу досвіду (сапорт, білд-інженер, SRE тощо), так і від швидкості розвитку. Цілком реально стати Senior чи Architect за 3-4 роки, але слід постаратись. ➕ Також не можу не відзначити тісну кооперацію між командами розробників, тестувальників та інших учасників розробки програмного продукту. Це дає можливість заглибитися в проєкт і, як результат, пришвидшити його вихід на ринок. Кожне повторне повернення до цього етапу означатиме планування будь-яких змін, які будуть внесені до системи.
Нижче навели деякі з робочих ролей, важливих обов’язків та необхідних навичок фахівців зі сфери. Через 13+ років після усіх цих подій бізнес прийшов до того, що вакансія Middle Senior DevOps Engineer DevOps-інженери не лише про зворотний зв’язок та оптимізацію ресурсів. Загалом, розвиток в галузі DevOps вимагає постійного навчання, практики та вдосконалення.

Не вір тому, хто обіцяє легкий старт та десятки тисяч доларів за натискання пари клавіш. DevOps-інженери найбільш високооплачувана професія. Джун може заробляти $1 200, мідл —  $2 550, сіньйор — $4 000.
Додаються нові можливості, деяким функціям надається статус застарілих, що потребує оновлення поточних скриптів та коду. Вато знати принципи роботи операційних систем, концепції побудови мережі, стандарти POSIX. Потрібні навички роботи з файловою системою, сокетами, віртуалізацією, керуванням пам’яттю, введенням та виведенням, процесами. Знадобиться вміння роботи з терміналом на різних операційних системах. Так, багато сучасних компаній працюють у Linux-середовищі, тож буде потрібен досвід роботи з адмініструванням Linux та Bash-скриптами. Звісно, буде добре, якщо це буде технічна освіта, бо вона дасть теоретичну і практичну базу.

Це — Твій Практичний Гайд До Кар’єри В Іт

Робота з серверними інфраструктурами це робота з Linux. Потрібно знати що таке Load Average, Cron і як збирати програми з вихідного коду. Це Chef, Zabbix, Docker, Vagrant, Continuous Integration системи.
На ділі ж всі ці субролі виконує одна людина або ж кілька ролей інший фахівець. Буває так, що розробник може виконувати завдання Build Engineer. А з автоматизацією працюють системні адміністратори. В результаті DevOps інженер тільки автоматизує та робить остаточне опрацювання та автоматизація виробництва та доставки коду в продакшн. Часто зустрічаються позиції начебто DevOps-інженера, але насправді це підтримка вже готового продукту або доробляння і виправлення багів за кимось. Таке часто трапляється, коли компанія розробила продукт зі своїми інженерами, а, менш важливий функціонал віддає доробляти в країни, де менша вартість роботи, щоб заощадити кошти.

  • Приємно мати справу з тим, хто співпрацює з тобою та відкритий до спілкування».
  • влітку 2020 року середня зарплата DevOps
  • Будь-який сьогоднішній процес може стати кращим завтра, але при цьому вкрай важливо правильно визначати пріоритети.
  • DevOps (Development Operations) — методика комфортної взаємодії між командами, що відповідають за розробку та експлуатацію продукту.
  • Ми використовуємо DevOps на всіх своїх проектах, це забезпечує високу продуктивність команди, ефективність процесів та якість результатів.

Ми вже розповіли все про професії QA-інженера, Frontend-розробника, UI/UX- дизайнера, і тепер хочемо написати про не менш популярну та затребувану професію у сфері IT — devOps-інженера. Сьогодні ці фахівці заробляють не гірше, ніж Frontend або Backend-розробники, і ця тенденція тільки зростатиме. Про те, як розшифровується цей термін, до чого тут методологія DevOps і чим же займається цей важливий член будь-якої IT-команди — читай нижче. DevOps інженер – це той фахівець, який завжди шукає нові знання, можливості та варіанти для поліпшення процесів розробки й експлуатації. Навчальний центр «Мережні Технології» допоможе зробити перші впевнені кроки у сфері DevOps – зв’язатися з нами. І коли я вступив до Львівського державного університету фізичної культури (так, я фізрук 😀), я вже жив із думкою, що після закінчення піду працювати системним адміністратором.

Плюси Та Мінуси Роботи Devops-інженером

Для системних адміністраторів опанування DevOps-практик — чудова можливість професійного росту.
Хто Такий Девопс
Ми будемо раді допомогти вашому бізнесу вийти на новий рівень. Дуже важливо, щоб будь-який продукт був ретельно перевірений щодо якості та наявності помилок, перш ніж випущений у маси споживачів. DevOps дозволяє робити максимально докладне, але при цьому швидке тестування, щоб забезпечити бездоганне враження аудиторії про ваш програмний продукт. Курси і стажування для девопсів можуть
Знання та вміння працювати з Cloud Automation для DevOps (такі платформи, як Azure, AWS, GCP, Alibaba тощо). Тверде знання різних мов програмування – PHP, Python, Perl та Ruby. Принаймні одна основна мова програмування, наприклад, C++.
Наприклад, в SoftServe IT Academy 28 грудня розпочинається курс для девопсів у Львові. А в 2021 році компанія проведе курси в Рівному, Чернівцях, Дніпрі,

Хто Такий Devops Engineer

Безперервна інтеграція та безперервне розгортання — ключова частина методології DevOps. Тож треба освоїти інструменти GitLab, Jenkins, GitHub actions або подібні. Станом на кінець 2022 року DevOps інженери в Україні входять до трійки спеціалістів з найвищою зарплатою. Середній рівень становить $3500 та має тенденцію до підвищення. Робить дайджести на DOU, сo-founder у Kyiv DevOps Community та автор телеграм-каналу ДевОпс Інженер. Зараз допомагає SQUAD прискорити розробку, налаштувати процеси та мігрувати ML-related програми.
Хто Такий Девопс
Вона заперечує класичне твердження, що розробники повинні виконувати лише свої обов’язки й не цікавитись, наскільки успішним буде запуск продукту в продакшн. Також ця культура не передбачає пошук «більш винної» команди у разі невдачі. Це значить, що проблема, яка виникає — загальна, і кожен зацікавлений в її усуненні.
У світі інформаційних технологій відбувається постійний розвиток, і цей процес вимагає нових підходів до розробки, тестування та розгортання програмного забезпечення. Один з таких підходів – це DevOps, який поєднує розробку (Development) та операції (Operations) для покращення продуктивності та якості розробки програм. У цій статті ми розглянемо, хто такий DevOps та які є його основні функції. Розробник ПЗ в DevOps повинен мати досвід написання якісного коду протягом 2-3 років.

Часті Питання

Почнемо, мабуть, з того, що існує методологія DevOps (Development Operations). Вона передбачає ефективну організацію роботи команди зі створення/оновлення програмних продуктів і послуг. Це впровадження організаційних змін, які призначені для створення динаміки в роботі на кожному етапі. Методологія заснована на ідеї об’єднання команди розробки, тестування та експлуатації ПЗ для ефективного і швидко створенню будь-якого програмного забезпечення.

проводити також IT-компанії, причому на безоплатній основі з подальшим працевлаштуванням.
які раніше не були знайомі з DevOps-практиками, а також для розробників і системних адміністраторів, які хочуть перекваліфікуватися. Інвестування компаній у девопс-інженерів дозволяє оптимізувати роботу команд і поліпшити клієнтський досвід у взаємодії з програмою, сервісом або додатком.
Але давайте по порядку і розпочнемо з визначення позиції DevOps інженера. Це лише деякі запитання, які можуть ставити на
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Достатній досвід роботи з IT-обладнанням, налаштування серверів, систем зберігання та моніторингу мережевих пристроїв (через Nagios та Raygun). Однією з ключових навичок такого фахівця є розуміння принципу дії мереж, контейнерів, архітектури та операційних систем. Тобто, «девопс» повинен мати безпосереднє уявлення про середовище розгортання програм та додатків. Як правило, він знайомий з усіма сучасними ОС хоча б на початковому рівні і має глибокі знання в системі Linux або Windows. Кожну описує «типовий представник» — досвідчений фахівець і просто авторитетний колега, та сама людина, яка знає всі таємні куточки своєї професії.